Monday 20 December 2010

Win Studio Time at SAE


We've got together with SAE Institute and Music Jobs UK to offer the chance to win a day's recording studio time at London, Liverpool or Glasgow SAE.  The winner will get a day's recording time produced and managed by a highly trained member of SAE staff.  All you have to do to be in with a shout is fill in the comeptition entry form below and the winner will be drawn on Friday the 21st of January. Easy!


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Tick to enter the competition and accept the terms and conditions, if not, you will be entered for this competition but your details will only used for this purpose and no future campaigns or third parties.


Friday 17 December 2010

Record Labels Blame Google For Piracy, Hint At Censorship

The British Phonographic Industry (BPI), the UK’s main recording industry trade body, came out with guns blazing against Google today. BPI says that search engines like Google are as popular as P2P applications as a source for illegal downloads. The music industry is pressing Google and others to censor their search results in favor of ‘legal’ music services.

Read the full story here

Wednesday 8 December 2010

Ustream? Well, if it’s good enough for Ice T...



What was that famous line from that “legendary” Dodgy song ‘Good Enough’? Something like...

“If it’s good enough for Ice T, it’s good enough for me
If it’s good enough for two, it’s what I wanna see”.

Pretty sure it went something like that, either way it was a dodgy song, but they we’re onto something – without even realising it their lyrics have burst from my subconscious and chemically combusted along with an idea that Ice T may have uncovered the future of PR – Ok, well maybe not the future but it’s an example of how you can cut out the middle man and go straight to your fans.  I like to call it ‘Personal Journalism’ or PJ – the term is work in progress but remember where you heard it first.

Getting back to the article, which as the title suggests is about Ustream, I’d like to explain a bit about what it is for those who don’t know and also look at who’s currently using it and how it can be used as promotional tactic for artists.  As this blog is primarily about providing info for musicians, I’ll be looking at Ustream with such a bias. 

How do musicians go about getting noticed on the Internet?  Nowadays there are a plethora of channels that are essential tools for independent artists to master if they want to start building up an online presence.  In terms of getting your music heard, it’s no secret that the avenues of promotion and distribution have altered slightly over the last decade.  Online PR for example is such a vast area that it must be approached with as much DIY vigour as you would display in the rest of your independent muso existence.  Bloggers have become as important if not more so than journalists and large music publications.  Don’t get me wrong, print media is still important and there are large web resources that pull a lot more weight than one blog but it’s the power in numbers effect that the hype blogs have. 

It’s so easily to talk in riddles, jargon and gibberish when discussing things like this as it seems new internet colloquialisms are popping up faster than the apps, widgets, channels and sites that they describe – so i’ll attempt to censor myself and talk in normal peoples speak where possible.  The bloggers are a community, a network of people who have nothing better to do – no, only joking – a network of music lovers who thrive on the new, the unique and the en vogue.  At the heart of the music blog community is The Hype Machine (Hypem), the aggregator that only the coolest of the cool blogs get to be a part of.  If a blog is in fact worthy of being listed on Hypem then every time it posts an MP3, The clever little Hypem feeds a snippet of the posts into their ‘uber cool’ blogs timeline.  Anyone can go onto Hypem and listen to all of the music that has been listed.  You tend to find that a lot of the music you hear is repeated across several blogs and I take it that this is what causes ‘the hype’.  So if it was good enough for ‘you’ it was good enough for dodgy, if it was good enough for one hype blogger, it was good enough for the next and if it’s good enough for Ice T, it’s good enough for you.  See, no gibberish at all, haha.

With uStream anyone with a camera and internet connection can make a live feed, a bit like having your own internet TV channel which you can broadcast to an audience of unlimited size which is dead cool really.  It’s also free to get a Ustream producer account with which you can do everything you need to get your ugly mug on internet telly or you can pay a one off fee of $199 to get a pro account which allows better quality streaming and some other features that I can’t be bothered to read about because the free account is sufficient.

It seems to be mainly American musicians that have took to the service so far with people like Outkast rapper Big Boi offering a live gig, Kanye West doing a conference call with fans talking about his new album and our favourite, Ice T’s very candid question and answer sessions with fans.  You don’t have to be a rapper or American to use it though.  Another one of our favourite examples of Ustream content is Wiley and I know he’s a rapper, but he isn’t an American so there!  The Guardian covered his honest, outgoing and often nonsensical Ustream ramblings.  If you want to cut out the middleman i.e. the blogs and really give your fans some straight from the horse’s mouth exclusive content, then you could do that for free with Ustream.  It’s really just a matter of how creative you can get and if it’s good, online press will pick up on it and it will go even further than your fan base and if it doesn’t go viral, who cares as it’s strengthened the relationship with the fans you already have.  That’s as long as you don’t go doing a Chat Roulette style broadcast!

Thursday 2 December 2010

PC Mag reponds to RIAA

In response to the music industry backlash over their article about the demise of Limewire in which they pointed out alternative file sharing sources, PC Mag have given their opinion on the matter...

"The music industry has gone off the deep end. Now they want to lay the blame for music piracy on PCMag.com's doorstep. Seriously, over a dozen music industry execs signed a letter stating, "PC Magazine is encouraging" people to steal music. Allow me to explain."

Read the full article here

Wednesday 1 December 2010

Win £500 to spend with Dolphin Music

Dolphin Music are feeling mightily festive today and ushering in the Christmas spirit by offering the chance to win £500 to spend on Dolphin products.  Head over to the Dolphin blog and fill in their survey to be entered into the prize draw.  For more info and to enter, go here.

Tuesday 30 November 2010

Musician Insurance Is A Given

Accidents happen















 If you're an independent musician there are several things that we reckon you should be doing from day one. We're not saying that you're stupid if you don't do these things but you'll definitely be missing a trick. You've probably already read the millions of articles out there teaching you 'online marketing essentials for musicians' and how to 'improve your bands SEO'. The fact that there are a million of the previously mentioned articles knocking about suggests that these things are in fact important and we agree that they are. There's not however as much info pertaining to the importance of  something as simple as insurance for your equipment, but don't let this lack of information lead you to believe that it's not important - if you've invested a lot of your hard earned cash into your gear, you need to make sure you have adequate cover for it. Music rights management specialist Sentric Music recently published this excellent blog post which shows the average cost of a bands equipment and what the band would have to do in order to re-coup their losses.

A lot of musicians rely on their household insurance to cover their gear but it's often a very murky area when it comes to what's covered and many people have been caught 'with their pants down' so to speak and left out of pocket. Household Insurance may not cover your equipment outside of the UK - European and Worldwide cover is available on most tailored musician insurance packages. If you travel abroad with your instruments you're most probably going to need a tailored insurance policy and should seek some advice.

Another problem in relying on household Insurance to cover your equipment is that there is often a payment limit per item, e.g. the maximum you can claim per item could be £1,000 - thus, you're snookered if you have anything costing more.  There may also be a limit on the amount of cover provided for those items that leave the house with you.  Household insurance may not cover the instruments whilst they are in an external venue such as a pub or on the road, especially if they are being used for commercial purposes - which makes gigging a bit of a pain! Hopefully we're giving you an idea of the questions you need to ask when deciding what kind of insurance you need.  If you're a gigging musician or band it's just as imprtant to understand public liability.

Also, if you've ever tried to get a quote for your music equipment over the phone, you've probably been really perplexed at the randomness of some of the questions asked by insurance companies. It doesn't seem necessary to know your age, marital status and underwear colour (if this is asked, you should be worried) however, all the questions - however silly they may seem - are required by law.  The nice people at YOUR Insurance offer a quote and buy online facility so you can buy your insurance at a time that suits you and hopefully avoid having to speak to anybody!

To save you a lot of headache, misfortune and money in the long run musician insurance is extremely useful.

Monday 29 November 2010

Music Monday: Gil Scott-Heron & Jamie xx - NY Is Killing Me














Talk of a collaboration between Jamie from The XX and Gil Scott-Heron has been doing the rounds for some time now and it turns out the project is going to be Jamie xx remixes of studio sessions from Gil Scott-Heron's album 'I'm Here Now' and will be imaginatively entitled 'We're Here Now'.  The full album release is set for the 21st February 2011 but as a teaser they have released this track and intriguing accompanying video.  The track is an almost 6 minute long, brooding, dubby remix that echoes elements of the Florence And The Machine track that he re-worked earlier this year. You can buy NY is killing me here.